Saturday, February 20, 2010

Why I Love Coco Rocha...




In the new millenium, the idea of "clothes hanger models" was introduced, an antidote to the fabulosity of supermodels with single monikers (Naomi, Cindy, Christy, Linda, etc.). The models of the 80's and early 90's were Glamazons, perfectly coiffed and made up while strutting around to George Michael's "Freedom '90" video (amazing, sexy, and totally cool 20 years later: why did MTV ever stop playing music videos?). They made Versace come to life, and they were truly larger than life.

Something happened along the way, and the era of the supermodel ended. The term "Size Zero" was introduced. "Clothes Hanger" models entered the scene. Though fashion itself has evolved and gone in promising directions, there is great debate today about the size of the models walking the runways and appearing in magazines.

Coco Rocha (see below), a striking model with fair skin and lovely features, is 5'10" and a size four, or as she reminds us, "6 inches taller and 10 sizes smaller than the average American woman." She has been a loudly vocal opponent to the prevalence of eating disorders such as anorexia and bulimia synonymous with modeling. Yet somehow, someone deigned her "large" during Fashion Week!



Like Crystal Renn, Coco is well-spoken and expresses herself eloquently. Why don't you judge for yourself, thanks to her recent posting to the New York Daily News...


"There has been quite the commotion over the recent articles about me in the New York Times and The New York Daily News. As only a few select statements of mine were printed I find it necessary to properly express my point of view, without outside editing.

I'm a 21 year old model, Yet in another parallel universe I'm considered "fat"… This was the subject of major discussion this week and the story that was spun was: "Coco Rocha is too fat for the runway".

Is that the case? No. I am still used and in demand as a model. In fact I find myself busier than ever. In the past few years I have not gained an extreme amount of weight, only an inch here and there as any young woman coming out of her teenage years would.

But this issue of model's weight is, and always has been, of concern to me. There are certain moral decisions which seem like no brainers to us. For example, not employing children in sweatshops, and not increasing the addictiveness of cigarettes. When designers, stylists or agents push children to take measures that lead to anorexia or other health problems in order to remain in the business, they are asking the public to ignore their moral conscience in favor of the art.

Surely, we all see how morally wrong it is for an adult to convince an already thin 15 year old that she is actually too fat. It is unforgivable that an adult should demand that the girl unnaturally lose the weight vital to keep her body functioning properly. How can any person justify an aesthetic that reduces a woman or child to an emaciated skeleton? Is it art? Surely fashion's aesthetic should enhance and beautify the human form, not destroy it.

There is division in the industry in this regard. Although there are those who don't consider a model's well-being, I have had the honor and privilege to work with some of the greatest designers, editors, stylists, photographers and agents who respect both new and well established models alike. I know there are many others out there who I haven't worked with who also agree with me on the stance on this issue.

The CFDA has tried so very hard to correct these matters. As of a few days ago at their annual meeting they found everyone in the room in agreement on changing the sample size as well as booking models over the age of 16. It's great to see how many people's hearts are in the right place because we must make these changes for the next generation of girls.

As a grown woman I can make decisions for myself. I can decide that I won't allow myself to be degraded at a casting - marching in my underwear with a group of young girls, poked, prodded and examined like cattle. I'm able to walk away from that treatment because I am established as a model and I'm an adult… but what about the young, struggling and aspiring models?

We need changes. I'd prefer that there would be no girl working under the age of 16, but if that has to be the case then I'd love to see teens escorted by a guardian to castings, shows, and shoots. The CFDA has set codes in place for their members and I'd love to see the entire industry follow. Society legislates a lot of things - no steroid use in sports is one example - its only reasonable that there be rules of conduct to keep the fashion industry healthy.

In the past, models have spoken out on this issue, only to be accused of saying something because their careers were on the brink of extinction. This is not so in my case. I actually first spoke out about this two years ago at the peak of what a model would consider the ideal career and there was a reaction - those who were the worst offenders suddenly asked me to work for them! This was a public relations ploy and I wasn't prepared to fall for that. I said "No, lets go a few seasons, lets see if you change, then I will work with you". They didn't change. I haven't worked for them.

Of my generation of models I'm exactly where I need to be in my career and I'm grateful to use my position to actively speak out against this with the support of the CFDA and Vogue. My sincere hope is that through our efforts young models will one day be spared the humiliation, the risky weight loss, the depression that comes along with anorexia and the misery of abandonment by an industry ashamed to see them turn into actual women.

There are natural human standards in how we treat one another and how we treat children. There are those who continue to trample on these standards but there are also champions of a better way. I hope that the continued efforts of the CFDA and all those who hold these values in regard will bolster the opinion of those on the opposing side of the industry to ensure a true change for the better."

Well said, Coco. We all applaud you!!!

Tuesday, February 16, 2010

Chicago Fashion Week...on par with NYC?




In 1994, New York City's Bryant Park became the new site of what is now known as "Fashion Week." The shows began in 1943 as "Press Week," and were held for American editors and journalists who were unable to see the Paris fashion shows. Almost seventy years later, Fashion Week has taken on a life of its own, becoming an exclusive event held twice a year which showcases fashion, technology, and celebrity.

This week, American and European designers alike are presenting their Fall/Winter collections to the world, both live and over the internet (blogs, streaming video, and micro-blog sites such as Twitter come to mind). In the wake of Alexander McQueen's passing, there is a definite solemnity in the air, but style prevails even in sad times. Designers such as DVF, Victoria Beckham, and Carolina Herrera stand out to me for their tailoring, saturated color, and femininity. A taste of their work (images thanks to CocoPerez.com):

Chic prints at Carolina Herrera


Ladylike with a sexy edge at Victoria Beckham


Peacocks abound at DVF!



It saddened me greatly to click on http://www.chicagofashionweek.com/ and find only this:


Chicago is a city of nearly three million! We have a world-class Orchestra, the Lyric Opera, the Art Institute, the architecture of Louis Sullivan and Mies van der Rohe, bustling Michigan Avenue stores, Ikram...and our fashion week is "under construction" because its backers pulled out/lack of interest?

My husband and I were discussing this at dinner the other night. According to Todd, Chicago IS an affluent city with lots of culture; we're just not affluent in the way New York, London, or even Los Angeles are. The sheer number of millionaires/billionaires/people of means in those world capitals is simply higher than it is in Chicago.

Great art needs backers to thrive. No surviving painting, sculpture, play, operetta, or piece of clothing languishes in obscurity. Take a moment to think about what fashion and art mean to you, my readers, and be grateful for its presence in our lives. And consider what we need to do to make Chicago Fashion Week viable again.

Wednesday, February 10, 2010

Thoughts on Alexander McQueen



The news of Alexander McQueen's passing is incredibly sad. His talent, creativity, and inventiveness were genuine, and his insanely evocative runway shows stood out every season. Where some designers send "sameness" down the catwalk, McQueen constantly embraced new inspirations and created collections which ranged from glamorous to gothic (with a million stops in between).

When I saw McQueen's feathered dress (below) in a 2001 issue of "Vogue," I instantly wanted to know more about this man who has supposedly written "I'm a wanker" or similar in Prince Charles' Saville Row suit. Someone who could be both punkish and elegant intrigued me.


Wikipedia or any similar site can give a season-by-season look at the man's work, but I thought perhaps a visual tour would be a better tribute...













A few years ago, one of my former students lost his life in an automobile accident. Daniel was one of my "troublemakers," to put it fairly, and some days he made me want to leave teaching and become a barista at Starbucks (no lie). Yet I loved him dearly, and wanted to help him grow into adulthood. I wish I'd had the chance to do so.

When McQueen passed on yesterday, it made me think of Daniel. Both men had a penchant for stirring things up, and both men were unapologetic for who they were. In their collective passings, we must not forget the joyful moments, but we must also keep the harsh ones close by to truly remember who they were.

Monday, February 8, 2010

Do We Fit a Mold?

Stores Featured: H & M Michigan Avenue (see store information at bottom of post)

Last Wednesday, I completed my studies in Fashion Design at IADT (International Academy of Design and Technology). After eighteen months of seam ripping, sketching, and draping, all is said and done, and I am an official graduate!

So it seems that my identity as "Fashion Student" has disappeared, to be replaced by a new identity: "Post-graduate." Or "Style Consultant." Or "Fashion Educator." Or "Wife." Or "Daughter," "Friend," "Sister," "UN Representative," etc.

In other words; one mold was broken, and another is currently being cast.

Perhaps the question to really be asked in this post (the first of 2010: sorry it's late) is this: Do We Fit a Mold? Do we fit into the space, or does the space fit around us? Is a mold meant to be broken with each step?

In fashion, the rules/molds get broken all the time. Look at the changes in trends from one season to the next! Look at the changes in one season alone. Because of the growth in our industry, we can walk down Michigan Avenue on a cold February day and see how one piece differs from the next in H & M's Spring 2010 collection (see below). The color palette may be the same, but the rule of continuity is certainly broken. Each style is geared towards a certain aesthetic (cocktail, bohemian, or gypsy), and certainly breaks the mold when it comes to sticking with a unilateral style line from one garment to the next.

While Menswear tends to stick to the same mold/shape from season to season with subtle variations in colors/fabrics, H & M breaks the rules once again for Spring 2010. With a neutral suit base to work from, two of the offerings below break the classic suit mold by pairing it with sandals (!) and a tie-dye scarf, as well as with a shortened jacket and exposed shirttails. The cardigan over plaid skinny pants seems to represent the preppy aesthetic after it's been kicked about by an alley gang somewhere. It strikes me that menswear can seem very "catalogue" if it's not sexed up a bit, as H & M's stylist did with these looks.
While the women's looks from above could walk off the runway and onto a Chicago street, the menswear looks would likely find their home in one of the fabulous locations The Sartorialist (http://www.thesartorialist.blogspot.com) always seems to uncover. I would personally love to see more Chicago men in suits of any kind, so if H & M can make it kosher for a hip twenty-something to do just that, future generations might wear suits again without hesitation!

Styles in fashion change so quickly nowadays; in many ways, the molds keep getting glued back together, only to be broken once more. As future designs make their way into the world, it will be quite a journey to see where they go and how many molds they can shatter along the way!

H & M Store Information

840 N. Michigan Avenue
Chicago, IL 60611
312-640-0060
http://www.hm.com